214 posts in the archive.

Title Author Publication Date Category
• History of the Present: Maria Fusco and Margaret Salmon in conversation with Pádraic E. Moore Maria Fusco, Pádraic E. Moore, Margaret Salmon Online 5 June 2025 Q&A
• Hamad Butt, Apprehensions, Irish Museum of Modern Art, 6 December 2024–5 May 2025 Rosa Abbott Online 27 May 2025 Review
• Eva Richardson McCrea, The Decameron / Na Deich Lá, Project Arts Centre, 12 February–5 April 2025 John Graham Online 10 April 2025 Review
• Ali Cherri, How I Am Monument, Secession, Vienna, 6 December 2024–23 February 2025 Chris Clarke Online 21 February 2025 Review
• Marielle MacLeman, The Visitors, Butler Gallery, Kilkenny, 14 December 2024–9 February 2025 Sara Muthi Online 6 February 2025 Review
• A Language to Shout In Diana Bamimeke Online 20 January 2025 Essay
• Alice Rekab, Clann Miotlantach / Mythlantics, Sirius Arts Centre, Cobh, 23 November 2024–8 March 2025 Chris Clarke Online 20 December 2024 Review
• Michele Horrigan, Stigma Damages, The Model, Sligo, 20 September–23 November 2024 Iarlaith Ní Fheorais Online 9 November 2024 Review
• In the Voices Not Ours Suzanne Walsh Issue 15 31 October 2024 Essay
• Patricia Hurl, Irish Gothic, Irish Museum of Modern Art, Dublin, 10 February–21 May 2023 Rebecca O'Dwyer Online 21 October 2024 Review
• Sampler1, various artists, OUTPUTS, 2023 Gabrielle Schwarz Online 19 July 2024 Review
• Lisa Freeman, Approx 1 Second of a Sweet Kiss, Temple Bar Gallery + Studios, Dublin, 22 March–26 May 2024 Lucie McLaughlin Online 13 June 2024 Review
• Amanda Coogan, Freude! Freude!, Douglas Hyde Gallery, 11 October – 29 October 2023 John Graham Online 31 May 2024 Review
• Sean Lynch and Laura Ní Fhlaibhín, Banana Accelerationism, The Complex, Dublin, 13–25 January 2024 Tom Lordan Online 3 May 2024 Review
• The Need for Close Looking Tim Stott Online 18 April 2024 Essay
• Maslow’s Hammer Sara Damaris M. Online 9 April 2024 Essay
• TULCA 2023: honey, milk and salt in a seashell before sunrise, multiple venues, Galway, 3–19 November 2023 Rosa Abbott Online 19 March 2024 Review
• Lyndon Barrois Jr., Elisa Giardina Papa, Léann Herlihy, Reflex Blue, TBG+S, 28 July–24 September, 2023 Rachel Donnelly Online 29 February 2024 Review
• Tom dePaor, i see Earth, VISUAL Carlow, 26 February–22 May, 2022 John Graham Issue 14 18 January 2024 Review
• Review of Contemporary Art, Systems and the Aesthetics of Dispersion by Francis Halsall Adrian Duncan Online 20 December 2023 Review
• Avril Corroon, GOT DAMP / PÚSCADH ANUAS, Project Arts Centre, Dublin, 21 April–10 June 2023 Niamh Darling Online 15 December 2023 Review
• Dáiddadállu: A Northern Art Network Sheila de Courcy Online 5 December 2023 Essay
• William McKeown, An Open Room, Kerlin Gallery, Dublin, 30 August–30 September 2023 John Graham Online 27 September 2023 Review
• Loving Football Is a Problem Orit Gat Issue 14 1 July 2023 Essay
• Practical Magic Sarah Kelleher Online 21 June 2023 Essay
• In Conversation: Isabel Nolan with Chris Hayes Chris Hayes Online 8 May 2023 Uncategorized
• Michelle Malone, O, to have a little house, The LAB Gallery, 9 September–5 November 2022 Jennie Taylor Online 5 April 2023 Review
• David Beattie, Points of Contact David Beattie Issue 12 15 March 2023 Essay
• Alice Rekab, Family Lines, Douglas Hyde Gallery, Dublin, 1 July–25 September 2022 Rosa Abbott Online 21 December 2022 Review
• Red Tape Erica Van Horn Issue 13 10 November 2022 Essay
• Miriam O’Connor, Tomorrow Is Sunday, Sirius Art Centre, RHA, and Macroom Town Hall Rachel Andrews Issue 13 27 October 2022 Review
• In Conversation: Laura Fitzgerald with Michael Waldron Laura Fitzgerald, Michael Waldron Issue 13 26 August 2022 Q&A
• Trisha Brown, Set and Reset, Tate Modern, 24 January–4 September 2022 Gabrielle Schwarz Online 19 April 2022 Review
• Anne Tallentire, But this material…, The MAC, Belfast, 8 September–21 November 2021 Francis Halsall Issue 13 1 April 2022 Review
• In Conversation: Mairead O’hEocha with Adrian Duncan Mairead O'hEocha, Adrian Duncan Issue 12 23 March 2022 Q&A
• On Precarity: Reflections on the Situation of the Art Graduate Siuán Ní Dhochartaigh, Mark O'Gorman, Kate Murphy, Davey Moor Online 1 March 2022 Focus
• On Chorus Niamh Campbell Issue 12 24 February 2022 Essay
• Out of Touch Rebecca O'Dwyer Issue 12 18 February 2022 Essay
• Rindon Johnson, Law of Large Numbers: Our Selves, Chisenhale Gallery, London, 6 November 2021–6 February 2022 Kevin Brazil Online 25 January 2022 Review
• Return to Disintegration Laurence Counihan Online 11 January 2022 Essay
• Brian Fay, A Mobile Living Thing, Municipal Gallery, dlr Lexicon, Dún Laoghaire, Dublin, 2 October–5 December 2021 John Graham Online 20 December 2021 Review
• Adam Gibney, Can_you_breathe_for_me?, Oonagh Young Gallery, Dublin, 16 September–29 October 2021 Christopher Steenson Online 15 December 2021 Review
• The Map / We Are the Map, Rua Red, Dublin, 18 October 2021–29 January 2022 Sue Rainsford Online 17 November 2021 Review
• Barbara Kneževic, pleasure ’scapes, RHA, Dublin, 19 July–29 August 2021 Siuán Ní Dhochartaigh Online 1 November 2021 Review
• Tuning Karl Burke Online 23 September 2021 Essay
• Bassam Al-Sabah, I AM ERROR, Gasworks, London, 21 July–19 September 2021 Kevin Brazil Online 2 September 2021 Review
• Sonia Shiel, The Dangers of Happy, Kevin Kavanagh Gallery, 10 June–10 July 2021 Davey Moor Online 25 August 2021 Review
• Tanad Aaron and Mark Swords, Portico, The Complex, 14–28 May 2021 Eoghan McIntyre Online 3 July 2021 Review
• Praxis Artists’ Union: Kerry Guinan in Conversation with Chris Hayes Chris Hayes and Kerry Guinan Online 14 May 2021 Q&A
• Spiral Scratches: Robert Smithson Rocks Out Francis Halsall Issue 11 29 April 2021 Essay
• Acoustic Bleed: Sound Art in Belfast Christopher Steenson Issue 11 12 April 2021 Essay
• Becoming Infrastructural Maeve Connolly Online 15 February 2021 Essay
• The Eclipsed and Occluded: Exploring the Archive of Ester Krumbachová Pádraic E. Moore Online 21 January 2021 Essay
• Remote Joy, Green on Red Gallery, 14 May–28 June 2020 Chris Hayes Online 9 July 2020 Review
• Áine McBride, work suite, mother’s tankstation, 21 February–21 April 2018 Claire Walsh Online 15 May 2020 Review
• (A Personal History of) Borders Peter Geoghegan Online 8 May 2020 Essay
• Rrose Is Rrose Is Rrose Liam Cagney Online 24 April 2020 Essay
• You Are neither Here nor There Declan Long Issue 10 17 April 2020 Review
• On Elisabeth Frink Wendy Erskine Issue 10 10 April 2020 Essay
• Dennis Dinneen, Small Town Portraits, Douglas Hyde Gallery, 21 April–27 May 2017 Colin Graham Online 3 April 2020 Review
• Oisin Byrne feat. Gary Farrelly, GLUE, Lismore Castle Arts, 8–22 September 2019 Gwen Burlington Online 11 November 2019 Essay
• Christopher Mahon, Couched, Project Arts Centre, 4 October–22 December 2018 / RGKS Cribs, 30 March 2019 Rosa Abbott Online 14 August 2019 Essay
• Singer’s Corner Doireann Ní Ghríofa Online 3 March 2019 Essay
• Looking For a Place to Call Home, Skulptur Projekte Münster 2017 John Holten Online 22 February 2019 Review
• Take No Pictures Arnold Thomas Fanning Online 13 January 2019 Essay
• Doireann O’Malley, Prototypes, Dublin City Gallery The Hugh Lane, 22 June – 14 October 2018 Thomas Butler Online 13 December 2018 Review
• THE HIDE SCULPTURE Rob Doyle Online 3 October 2018 Essay
• Expanded Art Manoeuvres Marilyn Lennon Online 7 September 2018 Essay
• Fred Wilson, Afro Kismet, Pace Gallery, London Kevin Brazil Online 5 June 2018 Review
• I Wish Ann Lovett Were Out Buying a Swimsuit for Lanzarote Emer O'Toole Online 24 May 2018 Essay
• Ciarán Murphy, Plainsight, Grimm Gallery, Amsterdam John Gayer Online 8 May 2018 Review
• Alan Butler in conversation with Aidan Kelly Murphy Aidan Kelly Murphy Online 13 November 2017 Q&A
• elsewhere, CIT Wandesford Quay and Elizabeth Fort, Cork Sarah Kelleher Online 31 July 2017 Review
• Hypernormalisation, PVA talk, at the Douglas Hyde Gallery, Dublin Adrian Duncan Online 10 July 2017 Q&A
• Anri Sala, Take Over, Esther Schipper, Berlin Martin Herbert Online 28 June 2017 Review
• On Our Collective Wet Dream Rebecca O'Dwyer Online 6 June 2017 Essay
• Joachim Koester, In the Face of Overwhelming Forces, Camden Arts Centre, London Ruth Hogan Online 10 May 2017 Review
• Scissors Cut Paper Wrap Stone, Ormston House, Limerick Rebecca O'Dwyer Online 26 April 2017 Review
• Ian Wilson, Hanne Lippard, Adam Pendleton, and Paul Elliman, KW Institute for Contemporary Art, Berlin Adrian Duncan Online 9 April 2017 Review
• Yuri Pattison, sunset provision, mother’s tankstation limited Aidan Kelly Murphy Online 27 March 2017 Review
• Stephen Brandes, Parc du Souvenir, Oonagh Young Gallery, Dublin Nathan O'Donnell Online 12 March 2017 Review
• Jaki Irvine, If the Ground Should Open …, IMMA, Dublin Declan Long Online 13 February 2017 Review
• Visual Interference, Liz Nielsen and Max Warsh at Sirius Arts Centre Lucy Dawe Lane Online 12 December 2016 Review
• Liverpool Biennial, 9 July–16 October 2016 – various venues Nathan O'Donnell Online 1 September 2016 Review
• The Melody Is the Message, Steve Maher at LSAD Church Gallery, Limerick City, 14 December 2015–8 January 2016. Curated by Paul Tarpey Chris Hayes Online 10 June 2016 Review
• Description in Art Criticism Adrian Duncan Online 29 April 2016 Essay
• Do You Know How to Get to Moyross? Emma Houlihan Online 8 April 2016 Essay
• Emma Haugh, The Re-appropriation of Sensuality, NCAD Gallery, 5 November-6 December, 2015 Fiona Gannon Online 19 March 2016 Review
• Rachael Campbell-Palmer, Methods for Egress, QSS Gallery, Belfast, 14 January–27 February 2016 Mary Stevens Online 1 March 2016 Review
• Aleana Egan, shapes from life, Douglas Hyde Gallery 2, Dublin, 31 July–30 September 2015 Dennis McNulty Online 17 February 2016 Review
• Two Survey Shows: Greater New York, MoMA PS1, New York, and Futures: Anthology, RHA, Dublin Nathan O'Donnell Online 26 January 2016 Review
• Gretchen Bender, Total Recall, Project Arts Centre, Dublin, 23 October–23 December 2015 Stephen Rennicks Online 17 January 2016 Review
• The Knitting Map: Art, Community, Controversy and Stitch In Time: The Fabric of Modern Life, Glucksman Gallery, 3 April–5 July 2015 Sarah Kelleher Online 2 December 2015 Review
• Sam Anderson, Talley’s Folly, mother’s tankstation, 8 April–23 May 2015 Sara O'Brien Online 6 August 2015 Review
• Cliona Harmey, DUBLIN SHIPS, TEMPORARY PUBLIC ARTWORK, DUBLIN CITY COUNCIL PUBLIC ART PROGRAMME, DUBLIN, APRIL – JULY 2015. Dennis McNulty Online 22 July 2015 Review
• Benjamin Robinson, Plunge Pool Benjamin Robinson Online 29 June 2015 Essay
• Isabel Nolan, Bent Knees are a Give, Kerlin Gallery, Dublin, 1 April – 16 May 2015 John Graham Online 9 June 2015 Review
• Niamh O’Malley, Douglas Hyde Gallery, 12 December 2014 – 25 February 2015 Nathan O'Donnell Online 14 May 2015 Review
• Eoin McHugh, the skies will be friendlier then, Kerlin Gallery, Dublin, 14 November 2014-10 January 2015 Sara O'Brien Online 6 May 2015 Review
• The Director Speaks in a Church: Student Protests against the Management of NCAD Niamh Moriarty and Eimear Walshe Online 28 April 2015 Essay
• What is a degree in art worth? Joan Fowler Online 16 April 2015 Essay
• The use of art in secondary schools Adrian Duncan Online 13 April 2015 Essay
• Duncan Campbell, Irish Museum of Modern Art, Dublin, 6 June 2014-29 March 2015 Alice Butler Online 23 March 2015 Review
• Spirit of the Stairs, Group Show, Basic Space, Dublin, 22 May – 23 June, 2014 Nathan O'Donnell Online 13 January 2015 Review
• John Gayer: Repetitive Constructs and Psycho-Physical Links: Visiting Margaret O’Brien in her HIAP studio John Gayer Online 11 December 2014 Review
• Kerry Guinan, Beneath the Paving Stones, National College of Art and Design Graduate Exhibition, 14–22 June 2014. Eoghan McIntyre Online 18 November 2014 Review
• What do we expect from art criticism? Marysia Wieckiewicz-Carroll and Nathan O'Donnell Online 10 October 2014 Essay
• Michelle Browne, ‘Risk’: A Response Donald Mahoney Online 7 May 2014 Essay
• Richard Mosse, The Enclave, Ormston House and 6A Rutland Street, Limerick, 28 March–5 May, 2014 Adrian Duncan Online 14 April 2014 Review
• Q & A: Bob and Roberta Smith and Pádraic E. Moore Pádraic E. Moore Online 20 March 2014 Q&A
• Things in Translation: The Legs Foundation (LFTT Library), group show, Highlanes Gallery, Drogheda, Co. Louth, 3 May–25 August, 2013 Niamh Dunphy Online 17 February 2014 Review
• Laragh Pittman, Museum of the Re-Found, The Bayno, Liberties College, Dublin 8, 24-28 June, 2013/ Ramon Kassam, Portrait Cuts Itself Out On the Floor, Project Space at PP/S, Dublin 8, 26-30 June, 2013 John Gayer Online 17 November 2013 Review
• Aleana Egan: The Sensitive Plant, Kerlin Gallery, 19 April – 25 May, 2013. Adrian Duncan Online 20 October 2013 Review
• Q & A | Eoin McHugh and Pádraic E. Moore Pádraic E. Moore Online 20 September 2013 Q&A
• Francis Halsall | Blossomest Blossom: Writing on the Prose of the World Francis Halsall Online 8 August 2013 Essay
• John Ryan: Cling, FLOORONEGALLERY, Temple Bar Gallery & Studios, Dublin, 17 April – 11 May, 2013 John Gayer Online 14 June 2013 Review
• Karl Burke, Arrangements, The Hugh Lane Gallery, Dublin 1. November 2012 to February 2013 Adrian Duncan Online 29 March 2013 Review
• Regarding Olympia’s Cat: Aesthetic Genetics and the Art Genome Project™ Rebecca O'Dwyer Online 8 February 2013 Essay
• Compassion in art criticism Adrian Duncan Online 29 January 2013 Essay
• Bennie Reilly: Something Thrown and Caught, The Talbot Gallery, 13 September – 5 October, 2012. Roisin Russell Online 22 January 2013 Review
• Garden of Remembrance Benjamin Robinson Online 10 January 2013 Essay
• Tom O’Dea | Colin Martin | Owen Boss: a yellow rose, 9 – 24 August, 2012, Freemasons’ Hall, 17 Molesworth Street Dublin 2 Marysia Wieckiewicz-Carroll Online 14 November 2012 Review
• Liam Crichton: ]|[, 26 April – 12 May, 2012, Satis House, Deramore Avenue, Belfast. Allisa Kleist Online 27 September 2012 Review
• The Hellfire Club, Askeaton Contemporary Arts, Co. Limerick, 16 March – 31 July, 2012. Maria Tanner Online 21 September 2012 Review
• Q & A | Gary Coyle: Hello Darkness, The Kevin Kavanagh Gallery, Dublin, 31 May – 30 June, 2012. Pádraic E. Moore Online 12 September 2012 Essay
• Mairead O’hEocha: The Sky was Yellow and the Sun was Blue, Mother’s Tankstation, Dublin, 31 May – 14 July, 2012. Rebecca O'Dwyer Online 5 September 2012 Review
• Forget Fear: Act for Art, 7th Berlin Biennale for Contemporary Art, 27 April – 1 July, 2012. Ruth Hogan Online 12 June 2012 Review
• Q & A | Brendan Earley: A Place Between, Royal Hibernian Academy (R.H.A), Dublin, 5 March – 29 April, 2012. Pádraic E. Moore Online 21 May 2012 Essay
• “The GDR was my homeland. It still is.” Don Duncan Online 4 May 2012 Review
• Tracy Hanna at The Bullock Lane Residency, Cavan town, February 2012. Adrian Duncan Online 22 April 2012 Essay
• Cecilia Danell: The Consoling Dream Necessity, The Talbot Gallery, Dublin, January 11th – February 4th, 2012 Sue Rainsford Online 9 April 2012 Review
• Local Curiosities, Aleana Egan & Pádraic E. Moore John Gayer Online 28 March 2012 Review
• Robert Ladislas Derr: Taking Dubliners’ memories in stride – Centre for Creative Practices, Dublin William Nieberding Online 18 March 2012 Review
• Jennifer Hickey and Magnhild Opdøl: Rupture, My Spot, 1-2 Exchange Street Upper,Temple Bar, Dublin 2, 19-26 November, 2011.. Caroline Usher Online 9 March 2012 Review
• Paul McCarthy: The King, The Island, The Train, The House, The Ship, Hauser & Wirth London, Savile Row, Piccadilly and St James’s Square, 16 November, 2011 – 14 January, 2012 Ruth Hogan Online 1 March 2012 Review
• Ciarán Walsh: This Brief Visual Pattern, Pallas Projects, Dublin, 7 October – 5 November, 2011. John Gayer Online 22 February 2012 Review
• Niamh O’Malley: Model, The Green on Red Gallery, Dublin, 7 October – 5 November, 2011. Niamh Dunphy Online 14 February 2012 Review
• Joanne Laws reports on the TRADE Seminar, 2nd & 3rd December, 2011, in Carrick-on-Shannon Joanne Laws Online 24 January 2012 Essay
• Keef Winter: Hide those Dirty Hands, The Joinery, 22 September – 02 October 2011 Adrian Duncan Online 15 January 2012 Review
• Dan Campion: The view from the front step of number 4, Chapelstown Gate Dan Campion Online 13 January 2012 Essay
• Fiona Marron: Last and First Men, The Joinery, 19th-30th October, 2011 Davey Moor Online 9 January 2012 Review
• Michelle Deignan: Posing as a Subject Amongst Subjects, Maria Stenfors Gallery, London, 16 September – 29 October, 2011. Barbara Knezevic Online 22 December 2011 Review
• A Proposal for Activation in Visual Art Writing Adrian Duncan Online 12 December 2011 Essay
• Brendan Earley and Kevin Cosgrove: Nor for Nought, mother’s tankstation, Dublin, 14 September – 29 October, 2011. Rebecca O'Dwyer Online 7 December 2011 Review
• Francis Halsall: It’s Hard to Satirize a Guy in Shiny Boots Francis Halsall Online 2 December 2011 Essay
• Saidhbhín Gibson, in ‘Constellations’, Éigse Carlow Arts Festival, Visual, Carlow, 10 June – 21 August, 2011. Edel Horan Online 28 November 2011 Review
• Gravity, Group Show, Curated by Peter Murray, Crawford Art Gallery, Cork, 16 July – 29 October, 2011. Niamh Dunphy Online 24 November 2011 Review
• Transference, Monstertruck Gallery & Broadstone Studios, Dublin, Group Show, 5- 20 August, 2011. Kitty Rogers Online 30 October 2011 Review
• Spectrum of Activity, Group show, The Black Mariah, Cork, 15 August – 17 September, 2011. Adrian Duncan Online 5 October 2011 Review
• Welcome to the Neighbourhood, Resident Group Show, Askeaton Contemporary Arts, 11-23 July, 2011 Ruth Hogan Online 27 September 2011 Review
• Helen Horgan: The Horse’s Mouths, PP/S, 29 July – 6 August, 2011. Seán O'Sullivan Online 20 September 2011 Review
• Artists and the State and the State of the Arts John Kelly Online 12 September 2011 Essay
• Sterile Environment, Group show, Catalyst Arts, Belfast, 2 – 23 June, 2011. Niamh Dunphy Online 26 August 2011 Review
• Ruti Sela & Maayan Amir, Beyond Guilt Trilogy, 126 Gallery, Galway, 26 May – 18 June 2011. Seán O'Sullivan Online 3 August 2011 Review
• Utopia Ltd., Group show, The Highlanes Gallery, Drogheda, 29 April – 3 August, 2011. Kitty Rogers Online 29 July 2011 Review
• Tool-Use, Curated by David Beattie, The Oonagh Young Gallery, 18 June-29 July, 2011 | Niall de Buitléar: Out of Order, The Lab, 7 July – 20 August, 2011. Adrian Duncan Online 21 July 2011 Review
• Galway-Mayo Institute of Technology, Degree Show, Galway, 12-18 June, 2011. Maeve Mulrennan Online 18 July 2011 Review
• A polymorphous state at Galway Arts Centre, Galway, 11 March – 23 April, 2011. Áine Phillips Online 14 July 2011 Review
• Jane Fogarty: |’p ?nti NG|, The Talbot Gallery, 12 May – 14 June, 2011. Rachel McIntyre Online 24 June 2011 Review
• David Beattie: A Knowledge of Things Familiar, Temple Bar Gallery + Studios, Dublin, 27 May – 30 June, 2011. John Gayer Online 19 June 2011 Review
• Suzanne van der Lingen: Ark, The Joinery, 18 – 23 May, 2011. Rebecca O'Dwyer Online 12 June 2011 Review
• Angela Darby & Robert Peters: Saddam’s Babylon, Platform Arts, Belfast, 3 – 20 February, 2011. Rashida Sadiq Online 29 May 2011 Review
• We are nowhere and It’s now, Group Show, Occupy Space, Limerick, 8-28 April, 2011 (Part 1). Mary Conlon Online 10 May 2011 Review
• Greg Baxter | A Brief Note on the Editing Process Greg Baxter Online 4 May 2011 Essay
• Guido van der Werve: Minor Pieces, The Model, Sligo, 16 April – 12 June, 2011. Ciara Moloney Online 1 May 2011 Review
• Ceal Floyer, Things, Project Arts Centre, Dublin, 10 March – 23 April, 2011. Davey Moor Online 10 April 2011 Review
• Neil Carroll: Working Backwards, The Joinery, 18-26 February, 2011. Roisin Russell Online 22 March 2011 Review
• Designs for the living! | Some buildings I know Adrian Duncan Online 6 March 2011 Essay
• A Sequel of Events: Vantage Point Series Jack Nyhan Online 25 February 2011 Review
• Showcase, Gallery of Photography, Dublin, 20-30 January, 2011. Roisin Russell Online 16 February 2011 Review
• Gavin Murphy: Remember, The Golden Bough, Dublin City Gallery, The Hugh Lane, 4 November, 2010- 16 January, 2011. John Gayer Online 6 February 2011 Review
• Manifesta 8, Murcia, Spain, 9 October, 2010 – 9 January, 2011. Joanne Laws Online 6 January 2011 Review
• Right Here Right Now, Irish Performance Art, Kilmainham Gaol, 4 November 2010. Sara Baume Online 6 December 2010 Essay
• Mike Nelson: The Coral Reef, Tate Britain, London. Seán O'Sullivan Online 30 November 2010 Review
• William Kentridge: 5 Themes, Jeu de Paume, Paris, 29 June – 5 September, 2010. Kitty Rogers Online 22 November 2010 Review
• Interview | Marking Time: David Farrell in Conversation Darren Campion Online 18 November 2010 Essay
• Dennis McNulty: The Driver and the Passenger, The Green on Red Gallery, 6 October – 6 November, 2010. Adrian Duncan Online 5 November 2010 Review
• Phil Collins: Ich esse keine Bananen mehr und trinke natürlich keine Coca-Cola, The Kerlin Gallery, 23 October – 20 November, 2010. Hilary Murray Online 28 October 2010 Review
• Happenings and Nonevents: Declan Rooney, The Butler Gallery, Kilkenny, 12 June – 25 July 2010. Edel Horan Online 4 October 2010 Review
• Lithos: Jessica Harrison, John Pusateri, Ben Moreau, Monstertruck Gallery, 13-28 August 2010. Seán O'Sullivan Online 6 September 2010 Review
• The 6th Berlin Biennale, Berlin, Germany, 11 June – 8 August, 2010. Maeve Mulrennan Online 26 August 2010 Review
• Niamh McCann: Tiltshift, The Golden Bough Room, The Hugh Lane Gallery, Dublin, 30 April – 18 July, 2010. Adrian Duncan Online 16 August 2010 Review
• Barbara Knezevic: Breath and other shorts, The Joinery, 2-11 June, 2010. Ciara Moloney Online 26 July 2010 Review
• Dominic Thorpe | Hardy Langer : The Artist Will Be Present, Galway, May 2010. Áine Phillips Online 21 July 2010 Review
• Art Rebels 1996-2010, Catalyst Arts, Belfast, 21 May – 12 June, 2010. Aiden Lochlin Online 16 July 2010 Review
• Oneiriography: The Green on Red Gallery, 3 June – 10 July, 2010. Rebecca O'Dwyer Online 12 July 2010 Review
• Ella Burke: Silent Vibrations, Irish Museum Of Contemporary Art (IMOCA), 2 – 9 June, 2010. Adrian Duncan Online 29 June 2010 Review
• A response to Francis Alÿs: Le temps du sommeil Suzanne van der Lingen Online 22 June 2010 Essay
• Anton Litvin: The Shining, Sputnik Gallery, New York, 6 May – 12 June, 2010. Natasha Kurchanova Online 18 June 2010 Review
• Hugh Delap: Palimpsest, Talbot Gallery, 20 May – 19 June, 2010. Roisin Russell Online 15 June 2010 Review
• Elizabeth Magill: New Realities / Imagined Landscapes Oonagh Latchford Online 27 May 2010 Essay
• TransColonia | recharge TransColonia Online 24 May 2010 Essay
• Louise Manifold: Unnatural Esoteric, Galway Arts Centre, 5 March – 14 April, 2010. Áine Phillips Online 21 May 2010 Review
• Ardan Ozmenoglu: A Contemporary Turkish Artist Natasha Kurchanova Online 16 May 2010 Essay
• Pat Foster & Jen Berean: The Problem with Stability, Pallas Contemporary Projects, 30 January – 13 March 2010. Niamh Dunphy Online 6 May 2010 Review
• Ben Rivers: Origin of the Species, Kate MacGarry, London, 12 March – 2 May, 2010. Ciara Moloney Online 26 April 2010 Review
• Francis Alÿs: Le Temps du Sommeil, Irish Museum of Modern Art, 26 February – 23 May, 2010. Roisin Russell Online 20 April 2010 Review
• Berlin in a Constant State of Shifting Ferial Kasmai Online 13 April 2010 Essay
• Phil Collins: AUTO-KINO!, Temporäre Kunsthalle, Berlin, 5 February – 14 March, 2010. Ciara Moloney Online 31 March 2010 Review
• Video Killed the Radio Star: RHA Gallery, 14 January–27 February 2010 Adrian Duncan Online 24 March 2010 Review
• Sinead Conlon: re: REM, AD HOC Gallery, Belfast, 7-23 January, 2010. Angela Halliday Online 17 March 2010 Review
• Paperplane: The Joinery, Dublin, 3-9 February 2010 Barbara Knezevic Online 4 March 2010 Review
• Brian Duggan: Step inside now step inside, The Golden Bough, Dublin City Gallery, The Hugh Lane, 13 June-13 September, 2009 John Holten Online 22 February 2010 Review
• Pakenham and Ellis: A Study of Two Artists Working in Belfast During the 70s Amy Jackson Online 18 February 2010 Essay
• Damien Flood: Counter Earth, Green on Red Gallery, 28 January – 6 March, 2010. Roisin Russell Online 11 February 2010 Review
• On Criticism Hilary Murray Online 11 February 2010 Essay
• Mark Garry: Another Place, The Kerlin Gallery,15 January – 13 February, 2010 Adrian Duncan Online 27 January 2010 Review
• Clodagh Emoe, Cult of Engagement,Project Arts Centre,18 December – 30 January, 2010 Ciara Moloney Online 14 January 2010 Review
• Tacita Dean’s 16mm films Niamh Dunphy Online 5 January 2010 Essay
• Angela Darby & Robert Peters: The Time is Now!, The Barbican Gatehouse Project, Antrim, 1-22 December 2009. Helen MaCormack Online 23 December 2009 Review
• Karla Black: Sculptures, Inverleith House, Edinburgh, 14 November – 9 February 2010 Ciara Moloney Online 17 December 2009 Review
• Exhibiting in Dublin Adrian Duncan Online 13 December 2009 Essay
• Niamh O’Malley, Frame, glass, black, Green on Red Gallery, 8 October–7 November 2009 Miranda Driscoll Online 6 December 2009 Review
• Call for submissions Niamh Dunphy Online 30 November 2009 Uncategorized