
William McKeown, An Open Room, Kerlin Gallery, Dublin, 30 August–30 September 2023
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Essay
Loving Football Is a Problem
It’s hard to answer. But I would begin by reflecting on how love is a form of insistence. Our histories are long. To love a football team ...

Essay
Practical Magic, Periodical Review 12, Pallas Projects, 10 December 2022– 28 January 2023
I am looking at all this from what feels like a great distance. From a distance and back through time, I try to summon the memory of how light moved

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In Conversation: Isabel Nolan with Chris Hayes
You know, there’s this great story that I think appears in some of the hagiographical material. It turns out that St. Patrick hadn’t quite banished

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Michelle Malone, O, to have a little house, The LAB Gallery, 9 September–5 November 2022
Malone plays with the past as it is generally imagined, assumed, or forgotten, introducing her own memories as material documents.
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From the Archive

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Ceal Floyer, Things, Project Arts Centre, Dublin, 10 March – 23 April, 2011.
Things by Ceal Floyer is, at heart, a willfully unsatisfying show, teasing the viewer with morsels on an otherwise clean plate.

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We are nowhere and It’s now, Group Show, Occupy Space, Limerick, 8-28 April, 2011 (Part 1).
The press release for We are nowhere and it’s now sets the scene, so to speak, for a group show presenting eight international artists...

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Michelle Deignan: Posing as a Subject Amongst Subjects, Maria Stenfors Gallery, London, 16 September – 29 October, 2011.
On the wall opposite the entrance to the gallery are two framed C-type prints, titled Tuesday Blooms. They depict cherry blossoms in full flush, vivid
Archive
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William McKeown, An Open Room, Kerlin Gallery, Dublin, 30 August–30 September 2023 John Graham Online 27 September 2023 Review
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Loving Football Is a Problem Orit Gat Issue 14 1 July 2023 Essay
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Practical Magic, Periodical Review 12, Pallas Projects, 10 December 2022– 28 January 2023 Sarah Kelleher Online 21 June 2023 Essay
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In Conversation: Isabel Nolan with Chris Hayes Chris Hayes Online 8 May 2023 Uncategorized
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Michelle Malone, O, to have a little house, The LAB Gallery, 9 September–5 November 2022 Jennie Taylor Online 5 April 2023 Review
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David Beattie, Points of Contact David Beattie Issue 12 15 March 2023 Essay
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Alice Rekab, Family Lines, Douglas Hyde Gallery, Dublin, 1 July–25 September 2022 Rosa Abbott Online 21 December 2022 Review
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Red Tape Erica Van Horn Issue 13 10 November 2022 Essay
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Miriam O’Connor, Tomorrow Is Sunday, Sirius Art Centre, RHA, and Macroom Town Hall Rachel Andrews Issue 13 27 October 2022 Review
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In Conversation: Laura Fitzgerald with Michael Waldron Laura Fitzgerald, Michael Waldron Issue 13 26 August 2022 Q&A
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Trisha Brown, Set and Reset, Tate Modern, 24 January–4 September 2022 Gabrielle Schwarz Online 19 April 2022 Review
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Anne Tallentire, But this material…, The MAC, Belfast, 8 September–21 November 2021 Francis Halsall Issue 13 1 April 2022 Review
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In Conversation: Mairead O’hEocha with Adrian Duncan Mairead O'hEocha, Adrian Duncan Issue 12 23 March 2022 Q&A
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On Precarity: Reflections on the Situation of the Art Graduate Siuán Ní Dhochartaigh, Mark O'Gorman, Kate Murphy, Davey Moor Online 1 March 2022 Focus
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On Chorus Niamh Campbell Issue 12 24 February 2022 Essay
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Out of Touch Rebecca O'Dwyer Issue 12 18 February 2022 Essay
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Rindon Johnson, Law of Large Numbers: Our Selves, Chisenhale Gallery, London, 6 November 2021–6 February 2022 Kevin Brazil Online 25 January 2022 Review
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Return to Disintegration Laurence Counihan Online 11 January 2022 Essay
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Brian Fay, A Mobile Living Thing, Municipal Gallery, dlr Lexicon, Dún Laoghaire, Dublin, 2 October–5 December 2021 John Graham Online 20 December 2021 Review
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Adam Gibney, Can_you_breathe_for_me?, Oonagh Young Gallery, Dublin, 16 September–29 October 2021 Christopher Steenson Online 15 December 2021 Review
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The Map / We Are the Map, Rua Red, Dublin, 18 October 2021–29 January 2022 Sue Rainsford Online 17 November 2021 Review
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