Sarah Browne, Buttercup, Sirius Arts Centre, Cork, 13 April–29 June 2024

Laurence Counihan

4 February 2026

7 Minutes

Featured

Barbara Knežević, Gvozdene Kapije (The Iron Gates), Solstice Arts Centre, Navan, 29 March–30 May 2025

Review

Ciarán Ó Dochartaigh, Vague Symptom Clinic, Project Arts Centre, 31 October 2025–17 January 2026

As the state is a fiction repeated into existence, a diagnosis is just another story we tell to get what we need.

Iarlaith Ní Fheorais

4 December 2025

4 Minutes

  • Review
    • Barbara Knežević, Gvozdene Kapije (The Iron Gates), Solstice Arts Centre, Navan, 29 March–30 May 2025

    Review

    Barbara Knežević, Gvozdene Kapije (The Iron Gates), Solstice Arts Centre, Navan, 29 March–30 May 2025

    We watch as soil is brushed from the face of a rock, revealing a fishy mouth and wide, stunned, staring eyes. Then, the stone begins to speak.

    Aphra Hill

    3 October 2025

    7 Minutes

  • Review
    • Barbara Knežević, Gvozdene Kapije (The Iron Gates), Solstice Arts Centre, Navan, 29 March–30 May 2025

    Review

    Eimear Walshe, Romantic Ireland, Irish Pavilion, Venice Biennale, 20 April–24 November 2024

    The experience of navigating this work can feel at times like decoding an allegorical painting in motion.

    Adrian Duncan

    1 September 2025

    6 Minutes

  • Review
    • Barbara Knežević, Gvozdene Kapije (The Iron Gates), Solstice Arts Centre, Navan, 29 March–30 May 2025

    Review

    Between the Tremor and a Murmur Lies the Sunset, Kunstraum Niederösterreich, Vienna, 6 June–26 July 2025

    These sounds resonate across multiple spheres, from the geological to the vegetal, the celestial to the tidal, and to humans themselves.

    Chris Clarke

    14 August 2025

    6 Minutes

  • Review

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    From the Archive

    2233

    Review

    Pat Foster & Jen Berean: The Problem with Stability, Pallas Contemporary Projects, 30 January – 13 March 2010.

    Over the last few years, Dublin has undergone social and economic changes – from the booming economy of the late 90s to the current economic slump.

    Niamh Dunphy

    6 May 2010

    2 Minutes

  • Review
    • 5031

    Essay

    Greg Baxter | A Brief Note on the Editing Process

    I have been asked by the editors of Paper Visual Art to write a brief note about my work at Some Blind Alleys, in particular how I edit, and why ...

    Greg Baxter

    4 May 2011

    4 Minutes

  • Essay
    • 8944

    Essay

    Q & A | Gary Coyle: Hello Darkness, The Kevin Kavanagh Gallery, Dublin, 31 May – 30 June, 2012.

    Over the last few decades I think the art has been become quite homogenised. With more and more power concentrated in fewer and fewer hands ...

    Pádraic E. Moore

    12 September 2012

    6 Minutes

  • Essay

    • Archive

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