Ciarán Ó Dochartaigh, Vague Symptom Clinic, Project Arts Centre, 31 October 2025–17 January 2026

Iarlaith Ní Fheorais

4 December 2025

4 Minutes

Featured

Eimear Walshe, Romantic Ireland, Irish Pavilion, Venice Biennale, 20 April–24 November 2024

Review

Barbara Knežević, Gvozdene Kapije (The Iron Gates), Solstice Arts Centre, Navan, 29 March–30 May 2025

We watch as soil is brushed from the face of a rock, revealing a fishy mouth and wide, stunned, staring eyes. Then, the stone begins to speak.

Aphra Hill

3 October 2025

7 Minutes

  • Review
    • Eimear Walshe, Romantic Ireland, Irish Pavilion, Venice Biennale, 20 April–24 November 2024

    Review

    Eimear Walshe, Romantic Ireland, Irish Pavilion, Venice Biennale, 20 April–24 November 2024

    The experience of navigating this work can feel at times like decoding an allegorical painting in motion.

    Adrian Duncan

    1 September 2025

    6 Minutes

  • Review
    • Eimear Walshe, Romantic Ireland, Irish Pavilion, Venice Biennale, 20 April–24 November 2024

    Review

    Between the Tremor and a Murmur Lies the Sunset, Kunstraum Niederösterreich, Vienna, 6 June–26 July 2025

    These sounds resonate across multiple spheres, from the geological to the vegetal, the celestial to the tidal, and to humans themselves.

    Chris Clarke

    14 August 2025

    6 Minutes

  • Review
    • Eimear Walshe, Romantic Ireland, Irish Pavilion, Venice Biennale, 20 April–24 November 2024

    Review

    Ann Maria Healy, On the Wing, between Waves and Currents, The Cash Shop, Gort, 12 April–7 June 2025

    Instinctively, we tend to draw a dichotomy between nature and technology. However, it has long been clear that the distinction is not so easy to make.

    Ella de Búrca

    31 July 2025

    4 Minutes

  • Review

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    From the Archive

    7228

    Review

    Brendan Earley and Kevin Cosgrove: Nor for Nought, mother’s tankstation, Dublin, 14 September – 29 October, 2011.

    Brendan Earley and Kevin Cosgrove’s Nor for Nought, at mother’s tankstation, is a show in which very little happens: directly counteracting the desire

    Rebecca O'Dwyer

    7 December 2011

    5 Minutes

  • Review
    • 10272

    Q&A

    Q & A: Bob and Roberta Smith and Pádraic E. Moore

    When I was a student at Reading University, one of the first exhibitions I saw that really turned me on was by Chadwick...

    Pádraic E. Moore

    20 March 2014

    11 Minutes

  • Q&A
    • 12885

    Review

    Scissors Cut Paper Wrap Stone, Ormston House, Limerick

    There is a real vitality to this exhibition: a distinct sense that, though carefully curated, the works might somehow misbehave.

    Rebecca O'Dwyer

    26 April 2017

    8 Minutes

  • Review

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