
Jaki Irvine: Shh Ow, De La Warr Pavilion, Bexhill-on-Sea, 22 February–26 May 2025
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Q&A
History of the Present: Maria Fusco and Margaret Salmon in conversation with Pádraic E. Moore
I also had it in my head that History of the Present needed to have the emotional range of an opera and the kind of pace and speed an opera can hold.

Review
Hamad Butt, Apprehensions, Irish Museum of Modern Art, 6 December 2024–5 May 2025
Rather than charting the slow simmer of artistic development, we are offered a potent cocktail of work...

Review
Eva Richardson McCrea, The Decameron / Na Deich Lá, Project Arts Centre, 12 February–5 April 2025
Absent of mess, or any sense of real life, we might be in a newly built apart-hotel or some kind of show house.

Review
Ali Cherri, How I Am Monument, Secession, Vienna, 6 December 2024–23 February 2025
Amid all the rancour over the toppling of contentious statues, it is important to remember that the argument itself is the point...
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From the Archive

Review
Phil Collins: Ich esse keine Bananen mehr und trinke natürlich keine Coca-Cola, The Kerlin Gallery, 23 October – 20 November, 2010.
Ich esse keine Bananen mehr und trinke natürlich keine Coca-Cola, Collins’ recent exhibition in Kerlin, Dublin, consists of two parts: the first being

Review
Eoin McHugh, the skies will be friendlier then, Kerlin Gallery, Dublin, 14 November 2014-10 January 2015
This portrait of distress serves to heighten, by contrast, the sense of childhood innocence and naivety encapsulated by the second sculpture of the ..

Review
Stephen Brandes, Parc du Souvenir, Oonagh Young Gallery, Dublin
In this reduced near-future world, the ‘great’ cities of Europe have degenerated into sites of alienation, violence and unrestrained corporate plunder
Archive
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Jaki Irvine: Shh Ow, De La Warr Pavilion, Bexhill-on-Sea, 22 February–26 May 2025 Gabrielle Schwarz Online 18 June 2025 Review
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History of the Present: Maria Fusco and Margaret Salmon in conversation with Pádraic E. Moore Maria Fusco, Pádraic E. Moore, Margaret Salmon Online 5 June 2025 Q&A
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Hamad Butt, Apprehensions, Irish Museum of Modern Art, 6 December 2024–5 May 2025 Rosa Abbott Online 27 May 2025 Review
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Eva Richardson McCrea, The Decameron / Na Deich Lá, Project Arts Centre, 12 February–5 April 2025 John Graham Online 10 April 2025 Review
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Ali Cherri, How I Am Monument, Secession, Vienna, 6 December 2024–23 February 2025 Chris Clarke Online 21 February 2025 Review
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Marielle MacLeman, The Visitors, Butler Gallery, Kilkenny, 14 December 2024–9 February 2025 Sara Muthi Online 6 February 2025 Review
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A Language to Shout In Diana Bamimeke Online 20 January 2025 Essay
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Alice Rekab, Clann Miotlantach / Mythlantics, Sirius Arts Centre, Cobh, 23 November 2024–8 March 2025 Chris Clarke Online 20 December 2024 Review
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Michele Horrigan, Stigma Damages, The Model, Sligo, 20 September–23 November 2024 Iarlaith Ní Fheorais Online 9 November 2024 Review
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In the Voices Not Ours Suzanne Walsh Issue 15 31 October 2024 Essay
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Patricia Hurl, Irish Gothic, Irish Museum of Modern Art, Dublin, 10 February–21 May 2023 Rebecca O'Dwyer Online 21 October 2024 Review
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Sampler1, various artists, OUTPUTS, 2023 Gabrielle Schwarz Online 19 July 2024 Review
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Lisa Freeman, Approx 1 Second of a Sweet Kiss, Temple Bar Gallery + Studios, Dublin, 22 March–26 May 2024 Lucie McLaughlin Online 13 June 2024 Review
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Amanda Coogan, Freude! Freude!, Douglas Hyde Gallery, 11 October – 29 October 2023 John Graham Online 31 May 2024 Review
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Sean Lynch and Laura Ní Fhlaibhín, Banana Accelerationism, The Complex, Dublin, 13–25 January 2024 Tom Lordan Online 3 May 2024 Review
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The Need for Close Looking Tim Stott Online 18 April 2024 Essay
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Maslow’s Hammer Sara Damaris M. Online 9 April 2024 Essay
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TULCA 2023: honey, milk and salt in a seashell before sunrise, multiple venues, Galway, 3–19 November 2023 Rosa Abbott Online 19 March 2024 Review
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Lyndon Barrois Jr., Elisa Giardina Papa, Léann Herlihy, Reflex Blue, TBG+S, 28 July–24 September, 2023 Rachel Donnelly Online 29 February 2024 Review
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Tom dePaor, i see Earth, VISUAL Carlow, 26 February–22 May, 2022 John Graham Issue 14 18 January 2024 Review
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Review of Contemporary Art, Systems and the Aesthetics of Dispersion by Francis Halsall Adrian Duncan Online 20 December 2023 Review
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