144 posts filed under Review.

Title Author Publication Date Category
• Tanad Aaron and Mark Swords, Portico, The Complex, 14–28 May 2021 Eoghan McIntyre Online 3 July 2021 Review
• Remote Joy, Green on Red Gallery, 14 May–28 June 2020 Chris Hayes Online 9 July 2020 Review
• Áine McBride, work suite, mother’s tankstation, 21 February–21 April 2018 Claire Walsh Online 15 May 2020 Review
• You Are neither Here nor There Declan Long Online 17 April 2020 Review
• Dennis Dinneen, Small Town Portraits, Douglas Hyde Gallery, 21 April–27 May 2017 Colin Graham Online 3 April 2020 Review
• Christopher Mahon, Couched, Project Arts Centre, 4 October–22 December 2018 / RGKS Cribs, 30 March 2019 Rosa Abbott Online 14 August 2019 Essay
• Looking For a Place to Call Home, Skulptur Projekte Münster 2017 John Holten Online 22 February 2019 Review
• Doireann O’Malley, Prototypes, Dublin City Gallery The Hugh Lane, 22 June – 14 October 2018 Thomas Butler Online 13 December 2018 Review
• Fred Wilson, Afro Kismet, Pace Gallery, London Kevin Brazil Online 5 June 2018 Review
• Ciarán Murphy, Plainsight, Grimm Gallery, Amsterdam John Gayer Online 8 May 2018 Review
• elsewhere, CIT Wandesford Quay and Elizabeth Fort, Cork Sarah Kelleher Online 31 July 2017 Review
• Anri Sala, Take Over, Esther Schipper, Berlin Martin Herbert Online 28 June 2017 Review
• Joachim Koester, In the Face of Overwhelming Forces, Camden Arts Centre, London Ruth Hogan Online 10 May 2017 Review
• Scissors Cut Paper Wrap Stone, Ormston House, Limerick Rebecca O'Dwyer Online 26 April 2017 Review
• Ian Wilson, Hanne Lippard, Adam Pendleton, and Paul Elliman, KW Institute for Contemporary Art, Berlin Adrian Duncan Online 9 April 2017 Review
• Yuri Pattison, sunset provision, mother’s tankstation limited Aidan Kelly Murphy Online 27 March 2017 Review
• Stephen Brandes, Parc du Souvenir, Oonagh Young Gallery, Dublin Nathan O'Donnell Online 12 March 2017 Review
• Jaki Irvine, If the Ground Should Open …, IMMA, Dublin Declan Long Online 13 February 2017 Review
• Visual Interference, Liz Nielsen and Max Warsh at Sirius Arts Centre Lucy Dawe Lane Online 12 December 2016 Review
• Liverpool Biennial, 9 July–16 October 2016 – various venues Nathan O'Donnell Online 1 September 2016 Review
• The Melody Is the Message, Steve Maher at LSAD Church Gallery, Limerick City, 14 December 2015–8 January 2016. Curated by Paul Tarpey Chris Hayes Online 10 June 2016 Review
• Emma Haugh, The Re-appropriation of Sensuality, NCAD Gallery, 5 November-6 December, 2015 Fiona Gannon Online 19 March 2016 Review
• Rachael Campbell-Palmer, Methods for Egress, QSS Gallery, Belfast, 14 January–27 February 2016 Mary Stevens Online 1 March 2016 Review
• Aleana Egan, shapes from life, Douglas Hyde Gallery 2, Dublin, 31 July–30 September 2015 Dennis McNulty Online 17 February 2016 Review
• Two Survey Shows: Greater New York, MoMA PS1, New York, and Futures: Anthology, RHA, Dublin Nathan O'Donnell Online 26 January 2016 Review
• Gretchen Bender, Total Recall, Project Arts Centre, Dublin, 23 October–23 December 2015 Stephen Rennicks Online 17 January 2016 Review
• The Knitting Map: Art, Community, Controversy and Stitch In Time: The Fabric of Modern Life, Glucksman Gallery, 3 April–5 July 2015 Sarah Kelleher Online 2 December 2015 Review
• Sam Anderson, Talley’s Folly, mother’s tankstation, 8 April–23 May 2015 Sara O'Brien Online 6 August 2015 Review
• Cliona Harmey, DUBLIN SHIPS, TEMPORARY PUBLIC ARTWORK, DUBLIN CITY COUNCIL PUBLIC ART PROGRAMME, DUBLIN, APRIL – JULY 2015. Dennis McNulty Online 22 July 2015 Review
• Isabel Nolan, Bent Knees are a Give, Kerlin Gallery, Dublin, 1 April – 16 May 2015 John Graham Online 9 June 2015 Review