Maslow’s Hammer
Featured
Review
TULCA 2023: honey, milk and salt in a seashell before sunrise, multiple venues, Galway, 3–19 November 2023
A mysterious artist hovers around the programme for honey, milk and salt in a seashell before sunrise.
Review
Lyndon Barrois Jr., Elisa Giardina Papa, Léann Herlihy, Reflex Blue, TBG+S, 28 July–24 September, 2023
There is a navel at the centre of Reflex Blue, a portal between inner and outer worlds.
Review
Tom dePaor, i see Earth, VISUAL Carlow, 26 February–22 May, 2022
Writing about the colour blue, Rebecca Solnit describes the inaccessible beauty of the distant horizon, ‘the colour of where you are not’.
Review
Review of Contemporary Art, Systems and the Aesthetics of Dispersion by Francis Halsall
It was one of those books that presented to me a wholly new way of looking at the art world ...
Shop
From the Archive
Essay
Francis Halsall: It’s Hard to Satirize a Guy in Shiny Boots
Having agreed to “respond” to Dublin Contemporary I felt, initially, a little resentful.
Review
Michelle Deignan: Posing as a Subject Amongst Subjects, Maria Stenfors Gallery, London, 16 September – 29 October, 2011.
On the wall opposite the entrance to the gallery are two framed C-type prints, titled Tuesday Blooms. They depict cherry blossoms in full flush, vivid
Review
Kerry Guinan, Beneath the Paving Stones, National College of Art and Design Graduate Exhibition, 14–22 June 2014.
The work is situated in a room with three immediately striking elements: the walls of the space are blue (perhaps an attempt to move away from the tra
Archive
- Maslow’s Hammer Sara Damaris M. Online 9 April 2024 Essay
- TULCA 2023: honey, milk and salt in a seashell before sunrise, multiple venues, Galway, 3–19 November 2023 Rosa Abbott Online 19 March 2024 Review
- Lyndon Barrois Jr., Elisa Giardina Papa, Léann Herlihy, Reflex Blue, TBG+S, 28 July–24 September, 2023 Rachel Donnelly Online 29 February 2024 Review
- Tom dePaor, i see Earth, VISUAL Carlow, 26 February–22 May, 2022 John Graham Issue 14 18 January 2024 Review
- Review of Contemporary Art, Systems and the Aesthetics of Dispersion by Francis Halsall Adrian Duncan Online 20 December 2023 Review
- Avril Corroon, GOT DAMP / PÚSCADH ANUAS, Project Arts Centre, Dublin, 21 April–10 June 2023 Niamh Darling Online 15 December 2023 Review
- Dáiddadállu: A Northern Art Network Sheila de Courcy Online 5 December 2023 Essay
- William McKeown, An Open Room, Kerlin Gallery, Dublin, 30 August–30 September 2023 John Graham Online 27 September 2023 Review
- Loving Football Is a Problem Orit Gat Issue 14 1 July 2023 Essay
- Practical Magic Sarah Kelleher Online 21 June 2023 Essay
- In Conversation: Isabel Nolan with Chris Hayes Chris Hayes Online 8 May 2023 Uncategorized
- Michelle Malone, O, to have a little house, The LAB Gallery, 9 September–5 November 2022 Jennie Taylor Online 5 April 2023 Review
- David Beattie, Points of Contact David Beattie Issue 12 15 March 2023 Essay
- Alice Rekab, Family Lines, Douglas Hyde Gallery, Dublin, 1 July–25 September 2022 Rosa Abbott Online 21 December 2022 Review
- Red Tape Erica Van Horn Issue 13 10 November 2022 Essay
- Miriam O’Connor, Tomorrow Is Sunday, Sirius Art Centre, RHA, and Macroom Town Hall Rachel Andrews Issue 13 27 October 2022 Review
- In Conversation: Laura Fitzgerald with Michael Waldron Laura Fitzgerald, Michael Waldron Issue 13 26 August 2022 Q&A
- Trisha Brown, Set and Reset, Tate Modern, 24 January–4 September 2022 Gabrielle Schwarz Online 19 April 2022 Review
- Anne Tallentire, But this material…, The MAC, Belfast, 8 September–21 November 2021 Francis Halsall Issue 13 1 April 2022 Review
- In Conversation: Mairead O’hEocha with Adrian Duncan Mairead O'hEocha, Adrian Duncan Issue 12 23 March 2022 Q&A
- On Precarity: Reflections on the Situation of the Art Graduate Siuán Ní Dhochartaigh, Mark O'Gorman, Kate Murphy, Davey Moor Online 1 March 2022 Focus
Subscribe
Get in Touch
Join our mailing list for updates about artists, exhibitions, events and articles.