TULCA 2023: honey, milk and salt in a seashell before sunrise, multiple venues, Galway, 3–19 November 2023
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Review
Lyndon Barrois Jr., Elisa Giardina Papa, Léann Herlihy, Reflex Blue, TBG+S, 28 July–24 September, 2023
There is a navel at the centre of Reflex Blue, a portal between inner and outer worlds.
Review
Tom dePaor, i see Earth, VISUAL Carlow, 26 February–22 May, 2022
Writing about the colour blue, Rebecca Solnit describes the inaccessible beauty of the distant horizon, ‘the colour of where you are not’.
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Review of Contemporary Art, Systems and the Aesthetics of Dispersion by Francis Halsall
It was one of those books that presented to me a wholly new way of looking at the art world ...
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Avril Corroon, GOT DAMP / PÚSCADH ANUAS, Project Arts Centre, Dublin, 21 April–10 June 2023
Dripping, trickling, and gushing, damp makes its presence known.
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From the Archive
Review
Ben Rivers: Origin of the Species, Kate MacGarry, London, 12 March – 2 May, 2010.
A haphazardly constructed shack sits in the centre of Kate MacGarry, almost over-large in the neat gallery space, with the back cut...
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Sterile Environment, Group show, Catalyst Arts, Belfast, 2 – 23 June, 2011.
Sterile Environment, a recent group show that took place at Catalyst Arts, explores Belfast’s changing physiognomy
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Francis Halsall: It’s Hard to Satirize a Guy in Shiny Boots
Having agreed to “respond” to Dublin Contemporary I felt, initially, a little resentful.
Archive
- TULCA 2023: honey, milk and salt in a seashell before sunrise, multiple venues, Galway, 3–19 November 2023 Rosa Abbott Online 19 March 2024 Review
- Lyndon Barrois Jr., Elisa Giardina Papa, Léann Herlihy, Reflex Blue, TBG+S, 28 July–24 September, 2023 Rachel Donnelly Online 29 February 2024 Review
- Tom dePaor, i see Earth, VISUAL Carlow, 26 February–22 May, 2022 John Graham Issue 14 18 January 2024 Review
- Review of Contemporary Art, Systems and the Aesthetics of Dispersion by Francis Halsall Adrian Duncan Online 20 December 2023 Review
- Avril Corroon, GOT DAMP / PÚSCADH ANUAS, Project Arts Centre, Dublin, 21 April–10 June 2023 Niamh Darling Online 15 December 2023 Review
- Dáiddadállu: A Northern Art Network Sheila de Courcy Online 5 December 2023 Essay
- William McKeown, An Open Room, Kerlin Gallery, Dublin, 30 August–30 September 2023 John Graham Online 27 September 2023 Review
- Loving Football Is a Problem Orit Gat Issue 14 1 July 2023 Essay
- Practical Magic, Periodical Review 12, Pallas Projects, 10 December 2022– 28 January 2023 Sarah Kelleher Online 21 June 2023 Essay
- In Conversation: Isabel Nolan with Chris Hayes Chris Hayes Online 8 May 2023 Uncategorized
- Michelle Malone, O, to have a little house, The LAB Gallery, 9 September–5 November 2022 Jennie Taylor Online 5 April 2023 Review
- David Beattie, Points of Contact David Beattie Issue 12 15 March 2023 Essay
- Alice Rekab, Family Lines, Douglas Hyde Gallery, Dublin, 1 July–25 September 2022 Rosa Abbott Online 21 December 2022 Review
- Red Tape Erica Van Horn Issue 13 10 November 2022 Essay
- Miriam O’Connor, Tomorrow Is Sunday, Sirius Art Centre, RHA, and Macroom Town Hall Rachel Andrews Issue 13 27 October 2022 Review
- In Conversation: Laura Fitzgerald with Michael Waldron Laura Fitzgerald, Michael Waldron Issue 13 26 August 2022 Q&A
- Trisha Brown, Set and Reset, Tate Modern, 24 January–4 September 2022 Gabrielle Schwarz Online 19 April 2022 Review
- Anne Tallentire, But this material…, The MAC, Belfast, 8 September–21 November 2021 Francis Halsall Issue 13 1 April 2022 Review
- In Conversation: Mairead O’hEocha with Adrian Duncan Mairead O'hEocha, Adrian Duncan Issue 12 23 March 2022 Q&A
- On Precarity: Reflections on the Situation of the Art Graduate Siuán Ní Dhochartaigh, Mark O'Gorman, Kate Murphy, Davey Moor Online 1 March 2022 Focus
- On Chorus Niamh Campbell Issue 12 24 February 2022 Essay
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