Eimear Walshe, Romantic Ireland, Irish Pavilion, Venice Biennale, 20 April–24 November 2024

Adrian Duncan

1 September 2025

6 Minutes

Featured

Ann Maria Healy, On the Wing, between Waves and Currents, The Cash Shop, Gort, 12 April–7 June 2025

Review

Between the Tremor and a Murmur Lies the Sunset, Kunstraum Niederösterreich, Vienna, 6 June–26 July 2025

These sounds resonate across multiple spheres, from the geological to the vegetal, the celestial to the tidal, and to humans themselves.

Chris Clarke

14 August 2025

6 Minutes

  • Review
    • Ann Maria Healy, On the Wing, between Waves and Currents, The Cash Shop, Gort, 12 April–7 June 2025

    Review

    Ann Maria Healy, On the Wing, between Waves and Currents, The Cash Shop, Gort, 12 April–7 June 2025

    Instinctively, we tend to draw a dichotomy between nature and technology. However, it has long been clear that the distinction is not so easy to make.

    Ella de Búrca

    31 July 2025

    4 Minutes

  • Review
    • Ann Maria Healy, On the Wing, between Waves and Currents, The Cash Shop, Gort, 12 April–7 June 2025

    Review

    Jaki Irvine: Shh Ow, De La Warr Pavilion, Bexhill-on-Sea, 22 February–26 May 2025

    Memory and the process of losing it – how it splinters and scrambles, retreats and returns – serve as the governing metaphor of Shh Ow.

    Gabrielle Schwarz

    18 June 2025

    6 Minutes

  • Review
    • Ann Maria Healy, On the Wing, between Waves and Currents, The Cash Shop, Gort, 12 April–7 June 2025

    Q&A

    History of the Present: Maria Fusco and Margaret Salmon in conversation with Pádraic E. Moore

    I also had it in my head that History of the Present needed to have the emotional range of an opera and the kind of pace and speed an opera can hold.

    Maria Fusco, Pádraic E. Moore, Margaret Salmon

    5 June 2025

    20 Minutes

  • Q&A

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    From the Archive

    371

    Review

    Angela Darby & Robert Peters: The Time is Now!, The Barbican Gatehouse Project, Antrim, 1-22 December 2009.

    On a third easel, there is a large screen-printed insignia. The text and ribbon have been printed in monochrome on linen...

    Helen MaCormack

    23 December 2009

    3 Minutes

  • Review
    • 8023

    Review

    Paul McCarthy: The King, The Island, The Train, The House, The Ship, Hauser & Wirth London, Savile Row, Piccadilly and St James’s Square, 16 November, 2011 – 14 January, 2012

    The prominence of the exposed mechanics in Paul McCarthy's work reveals that the process of the production is integral to its interpretation...

    Ruth Hogan

    1 March 2012

    3 Minutes

  • Review
    • 11704

    Review

    Emma Haugh, The Re-appropriation of Sensuality, NCAD Gallery, 5 November-6 December, 2015

    In a recent essay about cause and effect and charisma in art, Timothy Morton wrote: ‘Art is charisma, pouring out of anything whatsoever, whether we

    Fiona Gannon

    19 March 2016

    4 Minutes

  • Review

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