Alice Rekab, Clann Miotlantach / Mythlantics, Sirius Arts Centre, Cobh, 23 November 2024–8 March 2025

Chris Clarke

20 December 2024

5 Minutes

Featured

In the Voices Not Ours

Review

Michele Horrigan, Stigma Damages, The Model, Sligo, 20 September–23 November 2024

My first view of the enormous facility was from an earthen bank several miles away, from where there is a clear view of an orange line on the horizon.

Iarlaith Ní Fheorais

9 November 2024

5 Minutes

  • Review
    • In the Voices Not Ours

    Essay

    In the Voices Not Ours

    I decided to try automatic writing in the ‘haunted’ room. I took caution in preparations, not wanting to disturb anything unduly.

    Suzanne Walsh

    31 October 2024

    11 Minutes

  • Essay
    • In the Voices Not Ours

    Review

    Patricia Hurl, Irish Gothic, Irish Museum of Modern Art, Dublin, 10 February–21 May 2023

    Sometimes, I think the only real continuity in modern Ireland is its persecution of its women and girls.

    Rebecca O'Dwyer

    21 October 2024

    8 Minutes

  • Review
    • In the Voices Not Ours

    Review

    Sampler1, various artists, OUTPUTS, 2023

    Listening to Sampler1 from beginning to end is inevitably a disjointed experience – but it was never meant to be a coherent aesthetic creation.

    Gabrielle Schwarz

    19 July 2024

    5 Minutes

  • Review

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    From the Archive

    4860

    Review

    Ceal Floyer, Things, Project Arts Centre, Dublin, 10 March – 23 April, 2011.

    Things by Ceal Floyer is, at heart, a willfully unsatisfying show, teasing the viewer with morsels on an otherwise clean plate.

    Davey Moor

    10 April 2011

    3 Minutes

  • Review
    • 5031

    Essay

    Greg Baxter | A Brief Note on the Editing Process

    I have been asked by the editors of Paper Visual Art to write a brief note about my work at Some Blind Alleys, in particular how I edit, and why ...

    Greg Baxter

    4 May 2011

    4 Minutes

  • Essay
    • 12776

    Review

    Stephen Brandes, Parc du Souvenir, Oonagh Young Gallery, Dublin

    In this reduced near-future world, the ‘great’ cities of Europe have degenerated into sites of alienation, violence and unrestrained corporate plunder

    Nathan O'Donnell

    12 March 2017

    7 Minutes

  • Review

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