Michele Horrigan, Stigma Damages, The Model, Sligo, 20 September–23 November 2024
Featured
Essay
In the Voices Not Ours
I decided to try automatic writing in the ‘haunted’ room. I took caution in preparations, not wanting to disturb anything unduly.
Review
Patricia Hurl, Irish Gothic, Irish Museum of Modern Art, Dublin, 10 February–21 May 2023
Sometimes, I think the only real continuity in modern Ireland is its persecution of its women and girls.
Review
Sampler1, various artists, OUTPUTS, 2023
Listening to Sampler1 from beginning to end is inevitably a disjointed experience – but it was never meant to be a coherent aesthetic creation.
Review
Amanda Coogan, Freude! Freude!, Douglas Hyde Gallery, 11 October – 29 October 2023
As Coogan began to raise and lower these fabrics on ropes, it felt as if we were all under sail.
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From the Archive
Review
Suzanne van der Lingen: Ark, The Joinery, 18 – 23 May, 2011.
A palimpsest of stories – personal and archival, absurd and historical – structure the work and give it layers of meaning...
Essay
Artists and the State and the State of the Arts
Gemma Tipton, writing in the Irish Times, commented recently on the lack of art being made about Ireland's economic collapse.
Essay
Do You Know How to Get to Moyross?
Moyross was built to alleviate overcrowding in the city, but is now recognised as one of the biggest failures in the history of Irish urban planning.
Archive
- Michele Horrigan, Stigma Damages, The Model, Sligo, 20 September–23 November 2024 Iarlaith Ní Fheorais Online 9 November 2024 Review
- In the Voices Not Ours Suzanne Walsh Issue 15 31 October 2024 Essay
- Patricia Hurl, Irish Gothic, Irish Museum of Modern Art, Dublin, 10 February–21 May 2023 Rebecca O'Dwyer Online 21 October 2024 Review
- Sampler1, various artists, OUTPUTS, 2023 Gabrielle Schwarz Online 19 July 2024 Review
- Lisa Freeman, Approx 1 Second of a Sweet Kiss, Temple Bar Gallery + Studios, Dublin, 22 March–26 May 2024 Lucie McLaughlin Online 13 June 2024 Review
- Amanda Coogan, Freude! Freude!, Douglas Hyde Gallery, 11 October – 29 October 2023 John Graham Online 31 May 2024 Review
- Sean Lynch and Laura Ní Fhlaibhín, Banana Accelerationism, The Complex, Dublin, 13–25 January 2024 Tom Lordan Online 3 May 2024 Review
- The Need for Close Looking Tim Stott Online 18 April 2024 Essay
- Maslow’s Hammer Sara Damaris M. Online 9 April 2024 Essay
- TULCA 2023: honey, milk and salt in a seashell before sunrise, multiple venues, Galway, 3–19 November 2023 Rosa Abbott Online 19 March 2024 Review
- Lyndon Barrois Jr., Elisa Giardina Papa, Léann Herlihy, Reflex Blue, TBG+S, 28 July–24 September, 2023 Rachel Donnelly Online 29 February 2024 Review
- Tom dePaor, i see Earth, VISUAL Carlow, 26 February–22 May, 2022 John Graham Issue 14 18 January 2024 Review
- Review of Contemporary Art, Systems and the Aesthetics of Dispersion by Francis Halsall Adrian Duncan Online 20 December 2023 Review
- Avril Corroon, GOT DAMP / PÚSCADH ANUAS, Project Arts Centre, Dublin, 21 April–10 June 2023 Niamh Darling Online 15 December 2023 Review
- Dáiddadállu: A Northern Art Network Sheila de Courcy Online 5 December 2023 Essay
- William McKeown, An Open Room, Kerlin Gallery, Dublin, 30 August–30 September 2023 John Graham Online 27 September 2023 Review
- Loving Football Is a Problem Orit Gat Issue 14 1 July 2023 Essay
- Practical Magic Sarah Kelleher Online 21 June 2023 Essay
- In Conversation: Isabel Nolan with Chris Hayes Chris Hayes Online 8 May 2023 Uncategorized
- Michelle Malone, O, to have a little house, The LAB Gallery, 9 September–5 November 2022 Jennie Taylor Online 5 April 2023 Review
- David Beattie, Points of Contact David Beattie Issue 12 15 March 2023 Essay
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