In the Voices Not Ours
Featured
Review
Patricia Hurl, Irish Gothic, Irish Museum of Modern Art, Dublin, 10 February–21 May 2023
Sometimes, I think the only real continuity in modern Ireland is its persecution of its women and girls.
Review
Sampler1, various artists, OUTPUTS, 2023
Listening to Sampler1 from beginning to end is inevitably a disjointed experience – but it was never meant to be a coherent aesthetic creation.
Review
Amanda Coogan, Freude! Freude!, Douglas Hyde Gallery, 11 October – 29 October 2023
As Coogan began to raise and lower these fabrics on ropes, it felt as if we were all under sail.
Review
Sean Lynch and Laura Ní Fhlaibhín, Banana Accelerationism, The Complex, Dublin, 13–25 January 2024
The objects, sculptures, and moving-image works that make up Banana Accelerationism, Sean Lynch and Laura Ní Fhlaibhín’s recent collaboration...
Shop
From the Archive
Review
Michelle Deignan: Posing as a Subject Amongst Subjects, Maria Stenfors Gallery, London, 16 September – 29 October, 2011.
On the wall opposite the entrance to the gallery are two framed C-type prints, titled Tuesday Blooms. They depict cherry blossoms in full flush, vivid
Review
Liam Crichton: ]|[, 26 April – 12 May, 2012, Satis House, Deramore Avenue, Belfast.
The work shown at Satis House tells of legends, myths and the type of storytelling rooted in ancient places ...
Review
Liverpool Biennial, 9 July–16 October 2016 – various venues
At its most exciting, this work took the city’s built heritage as its point of departure, exploring questions about Liverpool’s imperial ...
Archive
- In the Voices Not Ours Suzanne Walsh Issue 15 31 October 2024 Essay
- Patricia Hurl, Irish Gothic, Irish Museum of Modern Art, Dublin, 10 February–21 May 2023 Rebecca O'Dwyer Online 21 October 2024 Review
- Sampler1, various artists, OUTPUTS, 2023 Gabrielle Schwarz Online 19 July 2024 Review
- Lisa Freeman, Approx 1 Second of a Sweet Kiss, Temple Bar Gallery + Studios, Dublin, 22 March–26 May 2024 Lucie McLaughlin Online 13 June 2024 Review
- Amanda Coogan, Freude! Freude!, Douglas Hyde Gallery, 11 October – 29 October 2023 John Graham Online 31 May 2024 Review
- Sean Lynch and Laura Ní Fhlaibhín, Banana Accelerationism, The Complex, Dublin, 13–25 January 2024 Tom Lordan Online 3 May 2024 Review
- The Need for Close Looking Tim Stott Online 18 April 2024 Essay
- Maslow’s Hammer Sara Damaris M. Online 9 April 2024 Essay
- TULCA 2023: honey, milk and salt in a seashell before sunrise, multiple venues, Galway, 3–19 November 2023 Rosa Abbott Online 19 March 2024 Review
- Lyndon Barrois Jr., Elisa Giardina Papa, Léann Herlihy, Reflex Blue, TBG+S, 28 July–24 September, 2023 Rachel Donnelly Online 29 February 2024 Review
- Tom dePaor, i see Earth, VISUAL Carlow, 26 February–22 May, 2022 John Graham Issue 14 18 January 2024 Review
- Review of Contemporary Art, Systems and the Aesthetics of Dispersion by Francis Halsall Adrian Duncan Online 20 December 2023 Review
- Avril Corroon, GOT DAMP / PÚSCADH ANUAS, Project Arts Centre, Dublin, 21 April–10 June 2023 Niamh Darling Online 15 December 2023 Review
- Dáiddadállu: A Northern Art Network Sheila de Courcy Online 5 December 2023 Essay
- William McKeown, An Open Room, Kerlin Gallery, Dublin, 30 August–30 September 2023 John Graham Online 27 September 2023 Review
- Loving Football Is a Problem Orit Gat Issue 14 1 July 2023 Essay
- Practical Magic Sarah Kelleher Online 21 June 2023 Essay
- In Conversation: Isabel Nolan with Chris Hayes Chris Hayes Online 8 May 2023 Uncategorized
- Michelle Malone, O, to have a little house, The LAB Gallery, 9 September–5 November 2022 Jennie Taylor Online 5 April 2023 Review
- David Beattie, Points of Contact David Beattie Issue 12 15 March 2023 Essay
- Alice Rekab, Family Lines, Douglas Hyde Gallery, Dublin, 1 July–25 September 2022 Rosa Abbott Online 21 December 2022 Review
Subscribe
Get in Touch
Join our mailing list for updates about artists, exhibitions, events and articles.