Sampler1, various artists, OUTPUTS, 2023

Gabrielle Schwarz

19 July 2024

5 Minutes

Featured

Sean Lynch and Laura Ní Fhlaibhín, Banana Accelerationism, The Complex, Dublin, 13–25 January 2024

Review

Amanda Coogan, Freude! Freude!, Douglas Hyde Gallery, 11 October – 29 October 2023

As Coogan began to raise and lower these fabrics on ropes, it felt as if we were all under sail.

John Graham

31 May 2024

7 Minutes

  • Review
    • Sean Lynch and Laura Ní Fhlaibhín, Banana Accelerationism, The Complex, Dublin, 13–25 January 2024

    Review

    Sean Lynch and Laura Ní Fhlaibhín, Banana Accelerationism, The Complex, Dublin, 13–25 January 2024

    The objects, sculptures, and moving-image works that make up Banana Accelerationism, Sean Lynch and Laura Ní Fhlaibhín’s recent collaboration...

    Tom Lordan

    3 May 2024

    4 Minutes

  • Review
    • Sean Lynch and Laura Ní Fhlaibhín, Banana Accelerationism, The Complex, Dublin, 13–25 January 2024

    Essay

    The Need for Close Looking

    I have made students sit Wollheim-like in front of paintings for at least an hour and a half, simply describing what they see.

    Tim Stott

    18 April 2024

    11 Minutes

  • Essay
    • Sean Lynch and Laura Ní Fhlaibhín, Banana Accelerationism, The Complex, Dublin, 13–25 January 2024

    Essay

    Maslow’s Hammer

    How can we de-intellectualise visual art? If asked this a year ago, I think I’d have pushed back at the very premise.

    Sara Damaris M.

    9 April 2024

    9 Minutes

  • Essay

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    From the Archive

    10579

    Review

    John Gayer: Repetitive Constructs and Psycho-Physical Links: Visiting Margaret O’Brien in her HIAP studio

    The idea of making work that happens in the viewer’s body appeals to O’Brien. After images and instability – she says these are things she would like

    John Gayer

    11 December 2014

    6 Minutes

  • Review
    • 11779

    Essay

    Do You Know How to Get to Moyross?

    Moyross was built to alleviate overcrowding in the city, but is now recognised as one of the biggest failures in the history of Irish urban planning.

    Emma Houlihan

    8 April 2016

    7 Minutes

  • Essay
    • 13111

    Review

    Joachim Koester, In the Face of Overwhelming Forces, Camden Arts Centre, London

    In Joachim Koester’s recent exhibition In the Face of Overwhelming Forces at Camden Arts Centre, the act of mimicry forms the central conceit ...

    Ruth Hogan

    10 May 2017

    5 Minutes

  • Review

    • Archive

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