Lyndon Barrois Jr., Elisa Giardina Papa, Léann Herlihy, Reflex Blue, TBG+S, 28 July–24 September, 2023
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Review
Tom dePaor, i see Earth, VISUAL Carlow, 26 February–22 May, 2022
Writing about the colour blue, Rebecca Solnit describes the inaccessible beauty of the distant horizon, ‘the colour of where you are not’.
Review
Review of Contemporary Art, Systems and the Aesthetics of Dispersion by Francis Halsall
It was one of those books that presented to me a wholly new way of looking at the art world ...
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Avril Corroon, GOT DAMP / PÚSCADH ANUAS, Project Arts Centre, Dublin, 21 April–10 June 2023
Dripping, trickling, and gushing, damp makes its presence known.
Essay
Dáiddadállu: A Northern Art Network
Since 2014, Guoµvdageaidnu/Kautokeino has been home to Dáiddadállu, a Sámi arts network. Originally a collective, it now has twenty-one members...
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From the Archive
Review
Gravity, Group Show, Curated by Peter Murray, Crawford Art Gallery, Cork, 16 July – 29 October, 2011.
There used to be a massive, sprawling amusement park not far from where I used to live in Canada which only opened for four months of the year.
Review
Local Curiosities, Aleana Egan & Pádraic E. Moore
The selected texts complement and enhance the visual material in addition to providing historical detail.
Review
Laragh Pittman, Museum of the Re-Found, The Bayno, Liberties College, Dublin 8, 24-28 June, 2013/ Ramon Kassam, Portrait Cuts Itself Out On the Floor, Project Space at PP/S, Dublin 8, 26-30 June, 2013
In the text accompanying the exhibition, Michele Horrigan notes that Kassam likens ..
Archive
- Lyndon Barrois Jr., Elisa Giardina Papa, Léann Herlihy, Reflex Blue, TBG+S, 28 July–24 September, 2023 Rachel Donnelly Online 29 February 2024 Review
- Tom dePaor, i see Earth, VISUAL Carlow, 26 February–22 May, 2022 John Graham Issue 14 18 January 2024 Review
- Review of Contemporary Art, Systems and the Aesthetics of Dispersion by Francis Halsall Adrian Duncan Online 20 December 2023 Review
- Avril Corroon, GOT DAMP / PÚSCADH ANUAS, Project Arts Centre, Dublin, 21 April–10 June 2023 Niamh Darling Online 15 December 2023 Review
- Dáiddadállu: A Northern Art Network Sheila de Courcy Online 5 December 2023 Essay
- William McKeown, An Open Room, Kerlin Gallery, Dublin, 30 August–30 September 2023 John Graham Online 27 September 2023 Review
- Loving Football Is a Problem Orit Gat Issue 14 1 July 2023 Essay
- Practical Magic, Periodical Review 12, Pallas Projects, 10 December 2022– 28 January 2023 Sarah Kelleher Online 21 June 2023 Essay
- In Conversation: Isabel Nolan with Chris Hayes Chris Hayes Online 8 May 2023 Uncategorized
- Michelle Malone, O, to have a little house, The LAB Gallery, 9 September–5 November 2022 Jennie Taylor Online 5 April 2023 Review
- David Beattie, Points of Contact David Beattie Issue 12 15 March 2023 Essay
- Alice Rekab, Family Lines, Douglas Hyde Gallery, Dublin, 1 July–25 September 2022 Rosa Abbott Online 21 December 2022 Review
- Red Tape Erica Van Horn Issue 13 10 November 2022 Essay
- Miriam O’Connor, Tomorrow Is Sunday, Sirius Art Centre, RHA, and Macroom Town Hall Rachel Andrews Issue 13 27 October 2022 Review
- In Conversation: Laura Fitzgerald with Michael Waldron Laura Fitzgerald, Michael Waldron Issue 13 26 August 2022 Q&A
- Trisha Brown, Set and Reset, Tate Modern, 24 January–4 September 2022 Gabrielle Schwarz Online 19 April 2022 Review
- Anne Tallentire, But this material…, The MAC, Belfast, 8 September–21 November 2021 Francis Halsall Issue 13 1 April 2022 Review
- In Conversation: Mairead O’hEocha with Adrian Duncan Mairead O'hEocha, Adrian Duncan Issue 12 23 March 2022 Q&A
- On Precarity: Reflections on the Situation of the Art Graduate Siuán Ní Dhochartaigh, Mark O'Gorman, Kate Murphy, Davey Moor Online 1 March 2022 Focus
- On Chorus Niamh Campbell Issue 12 24 February 2022 Essay
- Out of Touch Rebecca O'Dwyer Issue 12 18 February 2022 Essay
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