Sampler1, various artists, OUTPUTS, 2023
Featured
Review
Amanda Coogan, Freude! Freude!, Douglas Hyde Gallery, 11 October – 29 October 2023
As Coogan began to raise and lower these fabrics on ropes, it felt as if we were all under sail.
Review
Sean Lynch and Laura Ní Fhlaibhín, Banana Accelerationism, The Complex, Dublin, 13–25 January 2024
The objects, sculptures, and moving-image works that make up Banana Accelerationism, Sean Lynch and Laura Ní Fhlaibhín’s recent collaboration...
Essay
The Need for Close Looking
I have made students sit Wollheim-like in front of paintings for at least an hour and a half, simply describing what they see.
Essay
Maslow’s Hammer
How can we de-intellectualise visual art? If asked this a year ago, I think I’d have pushed back at the very premise.
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From the Archive
Review
Sterile Environment, Group show, Catalyst Arts, Belfast, 2 – 23 June, 2011.
Sterile Environment, a recent group show that took place at Catalyst Arts, explores Belfast’s changing physiognomy
Review
Ciarán Walsh: This Brief Visual Pattern, Pallas Projects, Dublin, 7 October – 5 November, 2011.
Presented under the rubric this brief visual pattern, its components comprised a complex and circuitous interweaving of images and text
Review
Eoin McHugh, the skies will be friendlier then, Kerlin Gallery, Dublin, 14 November 2014-10 January 2015
This portrait of distress serves to heighten, by contrast, the sense of childhood innocence and naivety encapsulated by the second sculpture of the ..
Archive
- Sampler1, various artists, OUTPUTS, 2023 Gabrielle Schwarz Online 19 July 2024 Review
- Lisa Freeman, Approx 1 Second of a Sweet Kiss, Temple Bar Gallery + Studios, Dublin, 22 March–26 May 2024 Lucie McLaughlin Online 13 June 2024 Review
- Amanda Coogan, Freude! Freude!, Douglas Hyde Gallery, 11 October – 29 October 2023 John Graham Online 31 May 2024 Review
- Sean Lynch and Laura Ní Fhlaibhín, Banana Accelerationism, The Complex, Dublin, 13–25 January 2024 Tom Lordan Online 3 May 2024 Review
- The Need for Close Looking Tim Stott Online 18 April 2024 Essay
- Maslow’s Hammer Sara Damaris M. Online 9 April 2024 Essay
- TULCA 2023: honey, milk and salt in a seashell before sunrise, multiple venues, Galway, 3–19 November 2023 Rosa Abbott Online 19 March 2024 Review
- Lyndon Barrois Jr., Elisa Giardina Papa, Léann Herlihy, Reflex Blue, TBG+S, 28 July–24 September, 2023 Rachel Donnelly Online 29 February 2024 Review
- Tom dePaor, i see Earth, VISUAL Carlow, 26 February–22 May, 2022 John Graham Issue 14 18 January 2024 Review
- Review of Contemporary Art, Systems and the Aesthetics of Dispersion by Francis Halsall Adrian Duncan Online 20 December 2023 Review
- Avril Corroon, GOT DAMP / PÚSCADH ANUAS, Project Arts Centre, Dublin, 21 April–10 June 2023 Niamh Darling Online 15 December 2023 Review
- Dáiddadállu: A Northern Art Network Sheila de Courcy Online 5 December 2023 Essay
- William McKeown, An Open Room, Kerlin Gallery, Dublin, 30 August–30 September 2023 John Graham Online 27 September 2023 Review
- Loving Football Is a Problem Orit Gat Issue 14 1 July 2023 Essay
- Practical Magic Sarah Kelleher Online 21 June 2023 Essay
- In Conversation: Isabel Nolan with Chris Hayes Chris Hayes Online 8 May 2023 Uncategorized
- Michelle Malone, O, to have a little house, The LAB Gallery, 9 September–5 November 2022 Jennie Taylor Online 5 April 2023 Review
- David Beattie, Points of Contact David Beattie Issue 12 15 March 2023 Essay
- Alice Rekab, Family Lines, Douglas Hyde Gallery, Dublin, 1 July–25 September 2022 Rosa Abbott Online 21 December 2022 Review
- Red Tape Erica Van Horn Issue 13 10 November 2022 Essay
- Miriam O’Connor, Tomorrow Is Sunday, Sirius Art Centre, RHA, and Macroom Town Hall Rachel Andrews Issue 13 27 October 2022 Review
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