Return to Disintegration
Brian Fay, A Mobile Living Thing, Municipal Gallery, dlr Lexicon, Dún Laoghaire, Dublin, 2 October–5 December 2021
Operating on the surface (albeit through facsimiles), Fay closes the gap between the eye and the hand, tracing the grain of his subjects...
In psychology textbooks, the human mind is often equated to something like a computer. The eyes and ears feed data to a calculating brain...
Mapmaking, and the supposed concrete data it connotes, is an especially ripe form for subversion, and Fallon and Maher take full advantage.
pleasure ’scapes evidences style as a working methodology as well as a glossy coat, a material language, and a set of inexact metaphors ...
From the Archive
For the 6th Berlin Biennale, curator Kathrin Rhomberg presents us with the title What is Waiting Out There suggesting a division between contemporary
Right Here Right Now is a difficult-to-ignore title - at the same time provocative and ambiguous. The Here of it makes me think of how...
Having agreed to “respond” to Dublin Contemporary I felt, initially, a little resentful.
- Return to Disintegration Laurence Counihan Online 11 January 2022 Essay
- Brian Fay, A Mobile Living Thing, Municipal Gallery, dlr Lexicon, Dún Laoghaire, Dublin, 2 October–5 December 2021 John Graham Online 20 December 2021 Review
- Adam Gibney, Can_you_breathe_for_me?, Oonagh Young Gallery, Dublin, 16 September–29 October 2021 Christopher Steenson Online 15 December 2021 Review
- The Map / We Are the Map, Rua Red, Dublin, 18 October 2021–29 January 2022 Sue Rainsford Online 17 November 2021 Review
- Barbara Kneževic, pleasure ’scapes, RHA, Dublin, 19 July–29 August 2021 Siuán Ní Dhochartaigh Online 1 November 2021 Review
- Tuning Karl Burke Online 23 September 2021 Essay
- Bassam Al-Sabah, I AM ERROR, Gasworks, London, 21 July–19 September 2021 Kevin Brazil Online 2 September 2021 Review
- Sonia Shiel, The Dangers of Happy, Kevin Kavanagh Gallery, 10 June–10 July 2021 Davey Moor Online 25 August 2021 Review
- Tanad Aaron and Mark Swords, Portico, The Complex, 14–28 May 2021 Eoghan McIntyre Online 3 July 2021 Review
- Praxis Artists’ Union: Kerry Guinan in Conversation with Chris Hayes Chris Hayes and Kerry Guinan Online 14 May 2021 Q&A
- Spiral Scratches: Robert Smithson Rocks Out Francis Halsall Issue 11 29 April 2021 Essay
- Acoustic Bleed: Sound Art in Belfast Christopher Steenson Issue 11 12 April 2021 Essay
- Becoming Infrastructural Maeve Connolly Online 15 February 2021 Essay
- The Eclipsed and Occluded: Exploring the Archive of Ester Krumbachová Pádraic E. Moore Online 21 January 2021 Essay
- Remote Joy, Green on Red Gallery, 14 May–28 June 2020 Chris Hayes Online 9 July 2020 Review
- Áine McBride, work suite, mother’s tankstation, 21 February–21 April 2018 Claire Walsh Online 15 May 2020 Review
- (A Personal History of) Borders Peter Geoghegan Online 8 May 2020 Essay
- Rrose Is Rrose Is Rrose Liam Cagney Online 24 April 2020 Essay
- You Are neither Here nor There Declan Long Issue 10 17 April 2020 Review
- On Elisabeth Frink Wendy Erskine Issue 10 10 April 2020 Essay
- Dennis Dinneen, Small Town Portraits, Douglas Hyde Gallery, 21 April–27 May 2017 Colin Graham Online 3 April 2020 Review
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