In Conversation: Isabel Nolan with Chris Hayes
Michelle Malone, O, to have a little house, The LAB Gallery, 9 September–5 November 2022
Malone plays with the past as it is generally imagined, assumed, or forgotten, introducing her own memories as material documents.
David Beattie, Points of Contact
An interest in exploring the ways we engage with the physical world has been a constant in my practice throughout the years ...
Alice Rekab, Family Lines, Douglas Hyde Gallery, Dublin, 1 July–25 September 2022
The collection of objects gathered inside the entrance of Alice Rekab’s Family Lines at the Douglas Hyde Gallery sets the tone: domestic, intimate...
The woman talked and talked and she rarely paused but when she did pause she asked a question. She might have been twenty-eight or ....
From the Archive
David Beattie: A Knowledge of Things Familiar, Temple Bar Gallery + Studios, Dublin, 27 May – 30 June, 2011.
Initial impressions of David Beattie’s output can cause people to see him as a proponent of Rough Science...
Richard Mosse, The Enclave, Ormston House and 6A Rutland Street, Limerick, 28 March–5 May, 2014
In one sequence we are brought along a country road on a van. In another, there is a low view of the side of a river; militia men fire or appear to ..
Liverpool Biennial, 9 July–16 October 2016 – various venues
At its most exciting, this work took the city’s built heritage as its point of departure, exploring questions about Liverpool’s imperial ...
- In Conversation: Isabel Nolan with Chris Hayes Online 8 May 2023 Uncategorized
- Michelle Malone, O, to have a little house, The LAB Gallery, 9 September–5 November 2022 Jennie Taylor Online 5 April 2023 Review
- David Beattie, Points of Contact David Beattie Issue 12 15 March 2023 Essay
- Alice Rekab, Family Lines, Douglas Hyde Gallery, Dublin, 1 July–25 September 2022 Rosa Abbott Online 21 December 2022 Review
- Red Tape Erica Van Horn Issue 13 10 November 2022 Essay
- Miriam O’Connor, Tomorrow Is Sunday, Sirius Art Centre, RHA, and Macroom Town Hall Rachel Andrews Issue 13 27 October 2022 Review
- In Conversation: Laura Fitzgerald with Michael Waldron Laura Fitzgerald, Michael Waldron Issue 13 26 August 2022 Q&A
- Trisha Brown, Set and Reset, Tate Modern, 24 January–4 September 2022 Gabrielle Schwarz Online 19 April 2022 Review
- Anne Tallentire, But this material…, The MAC, Belfast, 8 September–21 November 2021 Francis Halsall Issue 13 1 April 2022 Review
- In Conversation: Mairead O’hEocha with Adrian Duncan Mairead O'hEocha, Adrian Duncan Issue 12 23 March 2022 Q&A
- On Precarity: Reflections on the Situation of the Art Graduate Siuán Ní Dhochartaigh, Mark O'Gorman, Kate Murphy, Davey Moor Online 1 March 2022 Focus
- On Chorus Niamh Campbell Issue 12 24 February 2022 Essay
- Out of Touch Rebecca O'Dwyer Issue 12 18 February 2022 Essay
- Rindon Johnson, Law of Large Numbers: Our Selves, Chisenhale Gallery, London, 6 November 2021–6 February 2022 Kevin Brazil Online 25 January 2022 Review
- Return to Disintegration Laurence Counihan Online 11 January 2022 Essay
- Brian Fay, A Mobile Living Thing, Municipal Gallery, dlr Lexicon, Dún Laoghaire, Dublin, 2 October–5 December 2021 John Graham Online 20 December 2021 Review
- Adam Gibney, Can_you_breathe_for_me?, Oonagh Young Gallery, Dublin, 16 September–29 October 2021 Christopher Steenson Online 15 December 2021 Review
- The Map / We Are the Map, Rua Red, Dublin, 18 October 2021–29 January 2022 Sue Rainsford Online 17 November 2021 Review
- Barbara Kneževic, pleasure ’scapes, RHA, Dublin, 19 July–29 August 2021 Siuán Ní Dhochartaigh Online 1 November 2021 Review
- Tuning Karl Burke Online 23 September 2021 Essay
- Bassam Al-Sabah, I AM ERROR, Gasworks, London, 21 July–19 September 2021 Kevin Brazil Online 2 September 2021 Review
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