William McKeown, An Open Room, Kerlin Gallery, Dublin, 30 August–30 September 2023
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Essay
Loving Football Is a Problem
It’s hard to answer. But I would begin by reflecting on how love is a form of insistence. Our histories are long. To love a football team ...
Essay
Practical Magic, Periodical Review 12, Pallas Projects, 10 December 2022– 28 January 2023
I am looking at all this from what feels like a great distance. From a distance and back through time, I try to summon the memory of how light moved
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In Conversation: Isabel Nolan with Chris Hayes
You know, there’s this great story that I think appears in some of the hagiographical material. It turns out that St. Patrick hadn’t quite banished
Review
Michelle Malone, O, to have a little house, The LAB Gallery, 9 September–5 November 2022
Malone plays with the past as it is generally imagined, assumed, or forgotten, introducing her own memories as material documents.
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From the Archive
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A Sequel of Events: Vantage Point Series
Molly O’Dwyer’s performance installation transgresses over and back between the multi-perspectival cinematic space and the present, physical space
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Niamh O’Malley, Douglas Hyde Gallery, 12 December 2014 – 25 February 2015
The subject, in the work included in her solo exhibition at the Douglas Hyde, seems to be the domestic world of her childhood.
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Ian Wilson, Hanne Lippard, Adam Pendleton, and Paul Elliman, KW Institute for Contemporary Art, Berlin
This first exhibition at the newly revamped KW, curated by incoming director KristGruijthuijsen, is an expansive and coherent presentation of works ..
Archive
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William McKeown, An Open Room, Kerlin Gallery, Dublin, 30 August–30 September 2023
John Graham
Online
27 September 2023
Review
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Loving Football Is a Problem
Orit Gat
Issue 14
1 July 2023
Essay
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Practical Magic, Periodical Review 12, Pallas Projects, 10 December 2022– 28 January 2023
Sarah Kelleher
Online
21 June 2023
Essay
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In Conversation: Isabel Nolan with Chris Hayes
Chris Hayes
Online
8 May 2023
Uncategorized
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Michelle Malone, O, to have a little house, The LAB Gallery, 9 September–5 November 2022
Jennie Taylor
Online
5 April 2023
Review
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David Beattie, Points of Contact
David Beattie
Issue 12
15 March 2023
Essay
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Alice Rekab, Family Lines, Douglas Hyde Gallery, Dublin, 1 July–25 September 2022
Rosa Abbott
Online
21 December 2022
Review
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Red Tape
Erica Van Horn
Issue 13
10 November 2022
Essay
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Miriam O’Connor, Tomorrow Is Sunday, Sirius Art Centre, RHA, and Macroom Town Hall
Rachel Andrews
Issue 13
27 October 2022
Review
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In Conversation: Laura Fitzgerald with Michael Waldron
Laura Fitzgerald, Michael Waldron
Issue 13
26 August 2022
Q&A
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Trisha Brown, Set and Reset, Tate Modern, 24 January–4 September 2022
Gabrielle Schwarz
Online
19 April 2022
Review
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Anne Tallentire, But this material…, The MAC, Belfast, 8 September–21 November 2021
Francis Halsall
Issue 13
1 April 2022
Review
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In Conversation: Mairead O’hEocha with Adrian Duncan
Mairead O'hEocha, Adrian Duncan
Issue 12
23 March 2022
Q&A
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On Precarity: Reflections on the Situation of the Art Graduate
Siuán Ní Dhochartaigh, Mark O'Gorman, Kate Murphy, Davey Moor
Online
1 March 2022
Focus
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On Chorus
Niamh Campbell
Issue 12
24 February 2022
Essay
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Out of Touch
Rebecca O'Dwyer
Issue 12
18 February 2022
Essay
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Rindon Johnson, Law of Large Numbers: Our Selves, Chisenhale Gallery, London, 6 November 2021–6 February 2022
Kevin Brazil
Online
25 January 2022
Review
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Return to Disintegration
Laurence Counihan
Online
11 January 2022
Essay
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Brian Fay, A Mobile Living Thing, Municipal Gallery, dlr Lexicon, Dún Laoghaire, Dublin, 2 October–5 December 2021
John Graham
Online
20 December 2021
Review
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Adam Gibney, Can_you_breathe_for_me?, Oonagh Young Gallery, Dublin, 16 September–29 October 2021
Christopher Steenson
Online
15 December 2021
Review
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The Map / We Are the Map, Rua Red, Dublin, 18 October 2021–29 January 2022
Sue Rainsford
Online
17 November 2021
Review
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