Maslow’s Hammer
Featured
Review
TULCA 2023: honey, milk and salt in a seashell before sunrise, multiple venues, Galway, 3–19 November 2023
A mysterious artist hovers around the programme for honey, milk and salt in a seashell before sunrise.
Review
Lyndon Barrois Jr., Elisa Giardina Papa, Léann Herlihy, Reflex Blue, TBG+S, 28 July–24 September, 2023
There is a navel at the centre of Reflex Blue, a portal between inner and outer worlds.
Review
Tom dePaor, i see Earth, VISUAL Carlow, 26 February–22 May, 2022
Writing about the colour blue, Rebecca Solnit describes the inaccessible beauty of the distant horizon, ‘the colour of where you are not’.
Review
Review of Contemporary Art, Systems and the Aesthetics of Dispersion by Francis Halsall
It was one of those books that presented to me a wholly new way of looking at the art world ...
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Issue 15
You spin me round
From the Archive
Review
Karla Black: Sculptures, Inverleith House, Edinburgh, 14 November – 9 February 2010
Yet, the appeal to material experience is so radical that it involves a reconceptualising of the very structures within which we apprehend the world
Review
Video Killed the Radio Star: RHA Gallery, 14 January–27 February 2010
This self-curated, group show featured a number of different artists from the collective, both emerging and established.
Review
Louise Manifold: Unnatural Esoteric, Galway Arts Centre, 5 March – 14 April, 2010.
On the ground floor this narrative begins with documentary-style photographs from The Franke Foundation in Halle, Germany.
Archive
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Maslow’s Hammer
Sara Damaris M.
Online
9 April 2024
Essay
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TULCA 2023: honey, milk and salt in a seashell before sunrise, multiple venues, Galway, 3–19 November 2023
Rosa Abbott
Online
19 March 2024
Review
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Lyndon Barrois Jr., Elisa Giardina Papa, Léann Herlihy, Reflex Blue, TBG+S, 28 July–24 September, 2023
Rachel Donnelly
Online
29 February 2024
Review
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Tom dePaor, i see Earth, VISUAL Carlow, 26 February–22 May, 2022
John Graham
Issue 14
18 January 2024
Review
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Review of Contemporary Art, Systems and the Aesthetics of Dispersion by Francis Halsall
Adrian Duncan
Online
20 December 2023
Review
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Avril Corroon, GOT DAMP / PÚSCADH ANUAS, Project Arts Centre, Dublin, 21 April–10 June 2023
Niamh Darling
Online
15 December 2023
Review
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Dáiddadállu: A Northern Art Network
Sheila de Courcy
Online
5 December 2023
Essay
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William McKeown, An Open Room, Kerlin Gallery, Dublin, 30 August–30 September 2023
John Graham
Online
27 September 2023
Review
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Loving Football Is a Problem
Orit Gat
Issue 14
1 July 2023
Essay
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Practical Magic
Sarah Kelleher
Online
21 June 2023
Essay
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In Conversation: Isabel Nolan with Chris Hayes
Chris Hayes
Online
8 May 2023
Uncategorized
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Michelle Malone, O, to have a little house, The LAB Gallery, 9 September–5 November 2022
Jennie Taylor
Online
5 April 2023
Review
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David Beattie, Points of Contact
David Beattie
Issue 12
15 March 2023
Essay
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Alice Rekab, Family Lines, Douglas Hyde Gallery, Dublin, 1 July–25 September 2022
Rosa Abbott
Online
21 December 2022
Review
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Red Tape
Erica Van Horn
Issue 13
10 November 2022
Essay
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Miriam O’Connor, Tomorrow Is Sunday, Sirius Art Centre, RHA, and Macroom Town Hall
Rachel Andrews
Issue 13
27 October 2022
Review
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In Conversation: Laura Fitzgerald with Michael Waldron
Laura Fitzgerald, Michael Waldron
Issue 13
26 August 2022
Q&A
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Trisha Brown, Set and Reset, Tate Modern, 24 January–4 September 2022
Gabrielle Schwarz
Online
19 April 2022
Review
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Anne Tallentire, But this material…, The MAC, Belfast, 8 September–21 November 2021
Francis Halsall
Issue 13
1 April 2022
Review
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In Conversation: Mairead O’hEocha with Adrian Duncan
Mairead O'hEocha, Adrian Duncan
Issue 12
23 March 2022
Q&A
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On Precarity: Reflections on the Situation of the Art Graduate
Siuán Ní Dhochartaigh, Mark O'Gorman, Kate Murphy, Davey Moor
Online
1 March 2022
Focus
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